GL Oriental ART
  • Home
  • Collection
    • POTTERY WONDERS
    • BRONZE TREASURES
    • SACRED STATUES
    • CURIOSITIES & COLLECTIBLE
  • Contact us
  • More
    • Home
    • Collection
      • POTTERY WONDERS
      • BRONZE TREASURES
      • SACRED STATUES
      • CURIOSITIES & COLLECTIBLE
    • Contact us
GL Oriental ART
  • Home
  • Collection
    • POTTERY WONDERS
    • BRONZE TREASURES
    • SACRED STATUES
    • CURIOSITIES & COLLECTIBLE
  • Contact us

POTTERY HOUSE


    china, HAN DYNASTY 206 BC-220 AD

    Object nr. 404


    Size: 95 cm x 102 cm

    Condition: Few parts have restauration, more details in TL-test

    TL-test: Oxford Authentication, 16 September 2010


    High quality photos available on request


    Additional Information

     This is a ceramic model of a multi-story house or watchtower, originating from the Han Dynasty (206 BC–220 AD) in ancient China. Such architectural models, known as mingqi (spirit objects), were commonly placed in tombs to represent the homes, estates, or structures the deceased might need in the afterlife. These models reflect the architectural styles and social structures of Han society.


    Description


    • Appearance: The model depicts a grand multi-tiered structure with intricate details, including tiled roofs, balconies, and open windows. The central tower is surrounded by smaller buildings and courtyards, complete with figures representing human activity. The design showcases the sophistication of Han-era architecture, such as overhanging eaves and symmetrical layouts.
    • Material and Craftsmanship: Made from terracotta, the sculpture retains traces of its original paint or glaze. The craftsmanship highlights both artistic skill and attention to detail, accurately capturing the architectural elements of the time.


    Commonality and Usage


    • Prevalence: Models like this were frequently included in Han tombs, especially those of wealthy individuals or nobles. They were part of larger assemblages that could include figurines of servants, animals, and other structures.
    • Purpose: These models symbolized the deceased's social status and ensured they would have access to similar comforts and surroundings in the afterlife. They also served as a reflection of daily life and cultural values during the Han period.


    Cultural Significance


    This ceramic house model exemplifies the Han Dynasty's emphasis on burial customs and belief in an afterlife. It provides valuable insights into Han-era architecture, social hierarchies, and domestic life. Such artifacts are a testament to the artistic sophistication and cultural practices of one of China's most influential dynasties. 


    Contact Us

    leave a message

    This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

    Copyright © 2021 Han Tang Antique - All Rights Reserved.

    This website uses cookies.

    We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

    DeclineAccept