This is a horse and rider tomb sculpture, a type of mingqi (spirit object) that was commonly included in burials during the Tang Dynasty (618–906 AD). Such pieces were designed to accompany the deceased into the afterlife, symbolizing wealth, status, and the importance of horses in Tang society.
Description
- Appearance: The sculpture depicts a female rider seated gracefully atop a horse. The woman is dressed in flowing robes, with her hands clasped modestly in front of her chest, exuding poise and elegance. Her hairstyle is an elaborate upswept style, characteristic of aristocratic women during the Tang era. The horse stands sturdy and upright, with a sense of strength and balance that reflects the Tang Dynasty's admiration for powerful steeds.
- Material and Finish: Crafted from terracotta, this piece retains traces of its original painted surface. The faded pigments suggest it was once vibrantly decorated, emphasizing both the rider's attire and the horse's details.
Commonality and Usage
- Prevalence: Horse and rider figurines were popular funerary objects during the Tang Dynasty, particularly among the elite. They were often part of larger assemblages that included attendants, musicians, dancers, and animals.
- Purpose: These sculptures symbolized the deceased's social rank and their connection to horses, which were vital for transportation, military power, and leisure. The inclusion of a female rider highlights the elevated status of women in Tang society and their participation in equestrian culture.
Cultural Significance
This horse and rider figurine embodies the artistic sophistication and cultural values of the Tang Dynasty. Horses were central to Tang society, representing strength, mobility, and prestige. The presence of a female rider reflects the era's progressive attitudes toward women of high status. Such artifacts provide valuable insights into Tang burial customs, aesthetics, and societal ideals.