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GL Oriental ART
  • Home
  • Collection
    • POTTERY WONDERS
    • BRONZE TREASURES
    • SACRED STATUES
    • CURIOSITIES & COLLECTIBLE
  • Contact us

PAINTED POTTERY COURT LADY


    China, TANG DYNASTY, 618-906 AD

    Object nr. 102


    Size: 80 cm x 30 cm

    Condition: Good

    TL-test: Oxford Authentication, 29 August 2001

      

    High quality photos available on request


    Additional Information

    This figurine is a Tang Dynasty tomb sculpture of a court lady, a type of mingqi (spirit object) commonly used in funerary practices during the Tang Dynasty (618–906 AD). These sculptures were placed in tombs to accompany and serve the deceased in the afterlife, reflecting the period's belief in an eternal continuation of worldly life.


    Description


    • Appearance: The figurine depicts a standing woman with an elegant posture, dressed in long, flowing robes. Her hands are delicately positioned in front of her body, suggesting refinement and grace. The hairstyle, featuring a distinctive upswept arrangement, is characteristic of Tang Dynasty fashion and may symbolize the elite status of the figure.
    • Material and Finish: Crafted from terracotta, this piece retains traces of its original painted surface. The faded pigments hint at the vibrant colors that once adorned it, showcasing the artistic sophistication of Tang artisans.


    Commonality and Usage


    • Prevalence: Figurines like this were widely produced during the Tang Dynasty, especially for the tombs of nobles and wealthy individuals. They were part of larger assemblages that could include musicians, dancers, animals, and mythical creatures.
    • Purpose: These figures served both practical and symbolic roles. Practically, they represented attendants or companions for the deceased in the afterlife. Symbolically, they reflected the wealth, status, and cultural ideals of the individual they accompanied.


    Cultural Significance


    This figurine exemplifies the Tang Dynasty's artistic achievements and social customs. It highlights the era's emphasis on elegance, beauty, and ritualistic practices surrounding death. Such artifacts provide valuable insights into Tang society's aesthetics, spiritual beliefs, and daily life. 


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